Milla (Camilla Nuzzoli)
1993/1995/1997/1999/2003/2007); Gallery New Sphere-Milan (1995/1996/1997/2002), Petrofil Gallery-Milan (1995) Leonardo da Vinci Gallery-Milan (1996); 18 Haus Gallery - Collective Exhibitions
Bari (1984); Academy Art Gallery in the World \\\\\\\"Leonardo da Vinci\\\\\\\" - Rome (1984), Art Biennale City-La Spezia La Spezia (1984); Gallery Eustachi-Rome (1985), Art Space Pisa Pisa (1985 ); Bardi Castle-Pavia (1995); Gallery \\\\\\\"Leonardo da Vinci Rome (1997); Gallery Haus18-Milan (1998) The Wirtz Gallery of The National Firtz Bank2001-Miami-Florida (2001), Sharjah Art Museum-United International Painting Prize-section of Port-lions-Reggio Calabria (1982) Selection-Great City Trophy-Soave of Soave (1982); Gold Medal Award City of Spring-Foggia Foggia (1982); Oscar 1983 2nd European Review of Close Up-Costume-Culture-Science-Entertainment AnnoXIX1982 \\\\\\\'s magnificent THE Milla Painting \\\\\\\"A. Manuppella; Thought and Art-Literature-Arts Magazine International-News 1982\\\\\\\" Contemporary Artists \\\\\\\"by Gino Spinelli Santelena; . Calabrese, The Journal of 19 February 1983 Italy Year \\\\\\\"Milla and a color\\\\\\\" by L. Cirri, Elite-Select Italian Art 1983; Euronotizie \\\\\\\"Contemporary Painters\\\\\\\" Year 1984 by L. Maccari, Art Space Year 1985 \\\\\\\"Journey 1994 \\\\\\\"Milla\\\\\\\" by A. Carbo, Comed Yearbook No. 21-1994 Sacred Art in Contemporary Art, Notes of a Witness-edition of Art-Paris-Rome Polyhedron the \\\\\\\"Colors of Milla\\\\\\\" by M. Calabrese; Today Euronotizie-South-Il Tirreno-The Century of Tradition-Puglia Italy-The New Newspaper-The Daily Noon-Time-The BBC-The Courier-Lazio-L\\\\\\\'Avanti Eco-Print of The Pleiades World Encyclopedia of Contemporary artists-Ibero-American Internacional.
Reviews
art critic), Liviana Maccari (gallery owner), Ugo Franzolini (writer), Francesco Grisi (writer), Giancarlo Fusco (writer, journalist), Vittorio Catalani (writer), Yolanda Pietrobelli (art critic), Ursula Petrone ( art), Anna Iozzino (art critic), Ignazio Mormino (journalist), Jordi Vilafranca (art critic). He has always lived in an artistic dividing his cultural engagement between the humanities concluded with a degree in Education at the Faculty of Education, University of Bari and the painting to which he devoted himself exclusively after leaving the business of teaching . In his works the figuration is characterized by a neo-expressionism and the color builds the sign, recognizable style emphasizes the strong and decisive in the stretch. The story, released from any academic, is aimed to search for the essential, the theme is the relationship between man and woman, man and nature, a dualism that demonstrates the need for continuous dialogue between rationality and emotion, figuration and abstraction, The formal research, the testing of particular techniques, the wealth of materials characterize his artistic work. Over the years, the survey painted crosses into other fields, the contamination of other living forms of expression, determines similarities and connections, points of contact Milla, as a composer, mixture, constantly assembles his notes, gives the same stamps with unexpected sounds tonal variations are always different.
Gallery of the People-Aradeo-Lecce (1982); Gallery dell\\\\\\\'Artista74-Foggia (1982), The New Gallery-Rome High Priestess (1983); Urbana49 Studio Gallery-Rome (1983); Gallery The transom-Modugno (1983); 1993/1995/1997/1999/2003/2007); Gallery New Sphere-Milan (1995/1996/1997/2002), Petrofil Gallery-Milan (1995) Leonardo da Vinci Gallery-Milan (1996); 18 Haus Gallery - Collective Exhibitions
Bari (1984); Academy Art Gallery in the World \\\\\\\"Leonardo da Vinci\\\\\\\" - Rome (1984), Art Biennale City-La Spezia La Spezia (1984); Gallery Eustachi-Rome (1985), Art Space Pisa Pisa (1985 ); Bardi Castle-Pavia (1995); Gallery \\\\\\\"Leonardo da Vinci Rome (1997); Gallery Haus18-Milan (1998) The Wirtz Gallery of The National Firtz Bank2001-Miami-Florida (2001), Sharjah Art Museum-United International Painting Prize-section of Port-lions-Reggio Calabria (1982) Selection-Great City Trophy-Soave of Soave (1982); Gold Medal Award City of Spring-Foggia Foggia (1982); Oscar 1983 2nd European Review of Close Up-Costume-Culture-Science-Entertainment AnnoXIX1982 \\\\\\\'s magnificent THE Milla Painting \\\\\\\"A. Manuppella; Thought and Art-Literature-Arts Magazine International-News 1982\\\\\\\" Contemporary Artists \\\\\\\"by Gino Spinelli Santelena; . Calabrese, The Journal of 19 February 1983 Italy Year \\\\\\\"Milla and a color\\\\\\\" by L. Cirri, Elite-Select Italian Art 1983; Euronotizie \\\\\\\"Contemporary Painters\\\\\\\" Year 1984 by L. Maccari, Art Space Year 1985 \\\\\\\"Journey 1994 \\\\\\\"Milla\\\\\\\" by A. Carbo, Comed Yearbook No. 21-1994 Sacred Art in Contemporary Art, Notes of a Witness-edition of Art-Paris-Rome Polyhedron the \\\\\\\"Colors of Milla\\\\\\\" by M. Calabrese; Today Euronotizie-South-Il Tirreno-The Century of Tradition-Puglia Italy-The New Newspaper-The Daily Noon-Time-The BBC-The Courier-Lazio-L\\\\\\\'Avanti Eco-Print of The Pleiades World Encyclopedia of Contemporary artists-Ibero-American Internacional.
Reviews
art critic), Liviana Maccari (gallery owner), Ugo Franzolini (writer), Francesco Grisi (writer), Giancarlo Fusco (writer, journalist), Vittorio Catalani (writer), Yolanda Pietrobelli (art critic), Ursula Petrone ( art), Anna Iozzino (art critic), Ignazio Mormino (journalist), Jordi Vilafranca (art critic).
He has always lived in an artistic dividing his cultural engagement between the humanities concluded with a degree in Education at the Faculty of Education, University of Bari and the painting to which he devoted himself exclusively after leaving the business of teaching . In his works the figuration is characterized by a neo-expressionism and the color builds the sign, recognizable style emphasizes the strong and decisive in the stretch. The story, released from any academic, is aimed to search for the essential, the theme is the relationship between man and woman, man and nature, a dualism that demonstrates the need for continuous dialogue between rationality and emotion, figuration and abstraction, The formal research, the testing of particular techniques, the wealth of materials characterize his artistic work. Over the years, the survey painted crosses into other fields, the contamination of other living forms of expression, determines similarities and connections, points of contact Milla, as a composer, mixture, constantly assembles his notes, gives the same stamps with unexpected sounds tonal variations are always different.
Gallery of the People-Aradeo-Lecce (1982); Gallery dell\\\\\\\'Artista74-Foggia (1982), The New Gallery-Rome High Priestess (1983); Urbana49 Studio Gallery-Rome (1983); Gallery The transom-Modugno (1983); 1993/1995/1997/1999/2003/2007); Gallery New Sphere-Milan (1995/1996/1997/2002), Petrofil Gallery-Milan (1995) Leonardo da Vinci Gallery-Milan (1996); 18 Haus Gallery - Collective Exhibitions
Bari (1984); Academy Art Gallery in the World \\\\\\\"Leonardo da Vinci\\\\\\\" - Rome (1984), Art Biennale City-La Spezia La Spezia (1984); Gallery Eustachi-Rome (1985), Art Space Pisa Pisa (1985 ); Bardi Castle-Pavia (1995); Gallery \\\\\\\"Leonardo da Vinci Rome (1997); Gallery Haus18-Milan (1998) The Wirtz Gallery of The National Firtz Bank2001-Miami-Florida (2001), Sharjah Art Museum-United International Painting Prize-section of Port-lions-Reggio Calabria (1982) Selection-Great City Trophy-Soave of Soave (1982); Gold Medal Award City of Spring-Foggia Foggia (1982); Oscar 1983 2nd European Review of Close Up-Costume-Culture-Science-Entertainment AnnoXIX1982 \\\\\\\'s magnificent THE Milla Painting \\\\\\\"A. Manuppella; Thought and Art-Literature-Arts Magazine International-News 1982\\\\\\\" Contemporary Artists \\\\\\\"by Gino Spinelli Santelena; . Calabrese, The Journal of 19 February 1983 Italy Year \\\\\\\"Milla and a color\\\\\\\" by L. Cirri, Elite-Select Italian Art 1983; Euronotizie \\\\\\\"Contemporary Painters\\\\\\\" Year 1984 by L. Maccari, Art Space Year 1985 \\\\\\\"Journey 1994 \\\\\\\"Milla\\\\\\\" by A. Carbo, Comed Yearbook No. 21-1994 Sacred Art in Contemporary Art, Notes of a Witness-edition of Art-Paris-Rome Polyhedron the \\\\\\\"Colors of Milla\\\\\\\" by M. Calabrese; Today Euronotizie-South-Il Tirreno-The Century of Tradition-Puglia Italy-The New Newspaper-The Daily Noon-Time-The BBC-The Courier-Lazio-L\\\\\\\'Avanti Eco-Print of The Pleiades World Encyclopedia of Contemporary artists-Ibero-American Internacional.
Reviews
art critic), Liviana Maccari (gallery owner), Ugo Franzolini (writer), Francesco Grisi (writer), Giancarlo Fusco (writer, journalist), Vittorio Catalani (writer), Yolanda Pietrobelli (art critic), Ursula Petrone ( art), Anna Iozzino (art critic), Ignazio Mormino (journalist), Jordi Vilafranca (art critic).